For Winnie-the-Pooh's 90th Birthday: House at Pooh Corner/Loggins & Messina, and more

This Sunday, August 21st, is the 90th birthday of A.A. Milne's beloved children's character Edward Bear, better known as Winnie-the-Pooh. Happy birthday, Pooh! Or as the denizens of the Hundred Acre Wood might put it, hipy papy bthuthdth thuthda bthuthdy.

But how can Pooh be 90? The first Pooh book, Winnie-the-Pooh, was published in 1926. That would make him a mere 85, wouldn't it? It turns out that Pooh's birthday is not calculated from the date of his first publication, but from internal evidence found in The House at Pooh Corner: Pooh was presented to Milne's son Christopher Robin on the occasion of the boy's first birthday, on August 21st, 1921. So Christopher Robin's birthday became Pooh's.

Pooh has inspired his share of songs--and not all of them are for the kiddies. The obvious choice to begin with is House At Pooh Corner, written by Kenny Loggins. The song was originally recorded by the Nitty Gritty Dirt Band for their 1970 album Uncle Charlie His Dog Teddy. Band member Jimmy Ibbotson reportedly suffered from polio as a child and spent much of the time reading. The works of A.A. Milne were particular favorites, so he was eager to record the song. But it gained real popularity after it appeared on Loggins & Messina's 1971 album Sittin in. It can also be found on their greatest hits album Best: Loggins & Messina - Sittin in Again. The lyrics describe Pooh going about various Pooh-ish activities--counting bees, chasing clouds, getting a honey jar stuck on his nose--with the help of his friends from the Hundred Acre Wood, including Christopher Robin, Owl, and Eeyore (what, no Tigger?). The subtext is a wistful wish to return to a lost childhood, an aspect that was emphasized when Loggins revised the song as Return To Pooh Corner, which appears on a 1994 album of the same name. Another follow up album, More Songs From Pooh Corner, in 2000, includes Loggins' song Your Heart Will Lead You Home, which served as the theme to Disney's animated film The Tigger Movie.

In 1970 Dutch composer Willem Frederik Bon wrote an orchestral score called To Catch a Heffalump, after the mysterious and elusive creatures that bedevil Pooh and Piglet.

Now things really do get nitty gritty. Arab Strap's song Piglet, from their 1998 album Philophobia, features a couple getting ready to go out clubbing. While the woman is in the shower, her boyfriend lets curiosity get the better of him: I'd always planned to have a look/in your special Winnie the Pooh book/The place was marked and it was there in blue and white/it just said simply, "Paul stayed last night." Her infidelity is revealed--recriminations, scatology and explicit lyrics ensue.

Jefferson Airplane's third album, 1967's After Bathing at Baxter's, features a song called The Ballad Of You & Me & Pooneil, written by Paul Kantner. "A song of love, hope, expectation, and a degree of doubt," writes Eric V.D. Luft in Die at the Right Time! A Subjective Cultural History of the American Sixties. "Pooneil was Kantner's fanciful hybrid of A.A. Milne's character, Winnie-the-Pooh, and Fred Neil, the New York City folk rocker." Kantner said Pooneil "referred to Freddie and Winnie-the-Pooh sort of thrown into a Mixmaster on the psychedelic era." The lyrics draw heavily from Milne's poetry collection When We Were Very Young, in particular the poems "Halfway Down" and "Spring Morning."

The band's follow-up album, 1968's Crown of Creation, featured a follow-up song, the title of which made the Pooh connection even more obvious. The House At Pooneil Corners, written by Kantner and Marty Balin, also draws lyrics from Milne's poetry, in this case "Noise, by Pooh" from The House at Pooh Corner. However, the tone of the song "was much darker than its predecessor," writes Luft. "Its graphically descriptive images of mass death and its gruesome aftermath made us think of nothing but nuclear war and its entailed universal annihilation."

Finally, there is an Italian band called Pooh. And check out The Pooh Sticks, an English indie band whose name recalls the favorite pastime of Pooh and Piglet. If you think Quidditch is the first game to make the transition from fiction to the real world, think again: The annual Poohsticks World Championships have been held on England's River Thames since 1984.

For Bloomsday: Rejoyce/Jefferson Airplane, and more

All of the events in James Joyce's 1922 novel Ulysses take place on June 16th. To celebrate Bloomsday (so called after Joyce's protagonist, Leopold Bloom), here are some songs with ties to the book and the author.

Jefferson Airplane's Rejoyce, from their 1967 album After Bathing at Baxter's, is an homage to Ulysses and includes specific references to characters from the book, e.g.: Mulligan stew for Bloom/The only Jew in the room and Molly's gone to blazes/Boylan's crotch amazes (Mulligan is a rowdy medical student in the book; Bloom's wife Molly begins an affair with a character known as "Blazes" Boylan in the course of the novel).

Kate Bush's The Sensual World, from her 1989 album of the same name, is drawn from the 18th and final episode, or chapter, of the novel. Often referred to as Molly Bloom's Soliloquy, it recounts the largely unpunctuated stream-of-consciousness thoughts running through Molly's mind as she lies in bed at the end of the day. The song employs the conceit of Molly leaving the fictional setting of the novel behind and entering reality (Stepping out of the page into the sensual world). The Joyce estate denied Bush the right to use wording from the book, so she revised passages for the song.

Also drawn from Molly Bloom's Soliloquy is Amber's song Yes!, from her album Naked. The word "yes" both begins and ends the soliloquy, and is the final word in the book. The lyrics hew closely to Joyce's original, and repeat virtually word for word the closing lines of the novel: I put my arms around him, yes/And draw him down to me so he can feel my breast/And his heart was going like mad/I mean yes, I said yes, I will yes. No word on whether Amber got permission from the Joyce estate, or whether Kate Bush was ticked off about it.

The Florida band PopCanon recorded a song called Bloomsday for their 2000 album The Kingdom of Idiot Rock. It juxtaposes Bloomsday observances with images of a crucifixion. It would be nice to think the crucifixion was metaphorical, but the band insists it actually happened--part of a birthday celebration that got out of hand. (You can get the whole story here.) The lyrics include the lines: In the land of the Lotus-Eaters Leopold Bloom said/"Iron Nails Ran In"--a reference to Bloom's explanation of the notice INRI that was posted above Christ on the cross.

Songs called "Bloomsday" are also available from Four Men and a Dog (from the 2009 album Wallop The Spot), Andy West (from 2002's Rama 1), and the Plague Monkeys (from the 1999 album Surface Tension).

Lou Reed's song My House (making it's second appearance in these pages), from his 1982 album The Blue Mask, alludes to characters from Ulysses in describing Reed's relationship to his mentor, Delmore Schwartz: My Dedalus to your Bloom, was such a perfect wit.

Roger Waters, a co-founder of Pink Floyd, alludes to Ulysses' main character in the song "Flickering Flame," found on Flickering Flame: The Solo Years, Vol. 1, with the line: On a back seat in a court room/Sat Molly Malone and Leopold Bloom/Until the police came down with a new broom/And swept them clean.

Alan Munde has an instrumental called Molly Bloom, from the 2009 album Festival Favorites Revisited, that seems appropriate to the day.

A song called Golden Hair by another Pink Floyd co-founder, Syd Barrett--found on his 1969 solo album The Madcap Laughs--has lyrics taken verbatim from Joyce's poem Lean Out the Window.

In 2008, Fire Records released Chamber Music: James Joyce, in which a variety of alt-rock bands perform musical adaptations of all 36 of the poems featured in Joyce's 1907 collection Chamber Music.

Van Morrison's song "Summertime in England," from the 1980 album Common One, notes: And James Joyce wrote streams of consciousness books. Another Morrison song, Too Long In Exile, from the 1993 album of the same name, includes the lines: Too long in exile, been too long in exile/Just like James Joyce, baby.

Jimmy Buffett's If It All Falls Down, from 1986's Floridays, also mentions Joyce (My life's an open book/By James Joyce and Agatha Christie).

On the morbid side, we have James Joyce In Memoriam by Mikel Laboa (from 2005's Xoriek 17), and Looking for James Joyce's Grave by Andy White (from his 2000 album Andywhite.compilation). Individual listeners will have to decide if I Got Laid on James Joyce's Grave by Black 47 (from their 2000 release Trouble in the Land) strikes the proper note for their Bloomsday celebration.

Finally, Breathe by U2--from No Line On The Horizon, released in 2009--has no particular link to Joyce or Ulysses, but as the lyrics make clear, the song takes place on the 16th of June, a significant date for any Irish rock band.