Like a Great Gatsby/Elliott Murphy, and more

As reported yesterday by CBS News Sunday Morning, the Long Island mansion that inspired F. Scott Fitzgerald's classic novel The Great Gatsby was demolished on Saturday. The current owners could no longer afford the upkeep, and the once-elegant building had been condemned. The story moved us to repost our item about Elliott Murphy's song "Like a Great Gatsby," inspired by the novel, supplemented with a word about Reg & Phil's song "Daisy Buchanan," named for the object of Gatsby's desire.

Elliott Murphy's 1973 debut album Aquashow features the song "Like a Great Gatsby," a reference to F. Scott Fitzgerald's Jazz Age novel The Great Gatsby, published in 1925. The song opens with the lines: Waiting for some dream lover like a great Gatsby/And then I look in the mirror and it's only me--a reference to the novel's rich and mysterious title character. Gatsby lives in the wealthy-with-new-money Long Island community of West Egg and pines for Daisy Buchanan, who lives across the bay in the wealthy-with-old-money community of East Egg. Gatsby fell for Daisy before he became wealthy, and social constraints kept them apart. Everything he has done--acquiring a fortune, throwing extravagant parties--has been designed to attract her attention. But Daisy is married now and lost to Gatsby, just as the narrator of the song seems to be addressing a woman beyond his reach (Use to follow you home/Hold on to you at dancing school and call you on the phone forever/But now your world begins with never).

The line Do you ride on ancient ships under Dr. Eckleburg's eyes to heaven alludes to one of the key images in the novel, a fading billboard on the road into New York City featuring a huge pair of blue eyes behind enormous yellow spectacles. ("Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens," speculates the narrator, Nick Carraway.)

On his web site Murphy talks about the album's cover art: "I suggested that we shoot in the Palm Court of the Plaza Hotel because that’s where part of The Great Gatsby took place. . . . The white suit I had bought not far from Gatsby land on the north shore of Long Island. It was made in France and I still have it hanging in my mother’s closet. Maybe I should give it to the Hard Rock Hotel."

For another musical take on Gatsby, there is Daisy Buchanan by the duo Reg & Phil, from their self-titled 2010 album. Here the narrator (or possibly a series of narrators) tries to convince Gatsby of the futility of his obsession with Daisy.

Mr. Gatsby, I know how this feels.
I won't forget her name; 
You're right, she's a steal. 
But this Saturday's one hundred; 
It's the one hundredth party. 
You'll want hundred more 
days and house filled. 
you'll need a lifetime 
of days and house filled.

A free download of the song is available on the Reg & Phil website. The video features stills from the 1974 film The Great Gatsby, adapted from the novel.

The Great Gatsby (Kindle Edition)

Frankenstein's Daughter/Elliott Murphy

I crossed the forest/With the daughter of Frankenstein, Elliott Murphy sings in Frankenstein's daughter, from his 2008 album Notes From The Underground. She was so pretty/And I could see/When your daddy's a monster/It's just not so easy. No doubt Murphy was inspired by Mary Shelley's 1818 novel Frankenstein when he wrote the song, though it's possible that such cinematic incarnations as The Bride of Frankenstein, Son of Frankenstein, Frankenstein's Daughter, and yes, even Jesse James Meets Frankenstein's Daughter may have crossed his mind. "That title was from a long line of Frankenstein's relatives," Murphy said in an interview with the web site Dave's On Tour. "The amazing thing about Frankenstein and Dracula is that the two legendary monster figures were created the same rainy night in a little chateau outside of Geneva, Switzerland. Lord Byron and Percy Bysshe Shelley were there and the thought was for everybody to write a monster or horror book. Shelley's future wife Mary, who was his mistress at the time, wrote Frankenstein. A friend of Lord Byron's, physician John Polidori, was inspired by fragments of a story Lord Byron wrote about vampire legends. He wrote a book, called The Vampyre, although other vampire books written years later, including Bram Stoker's Dracula, became more famous. With my song, I tried to carry on a tradition that's worth following." The album takes its title from Fyodor Dostoyevsky's 1864 novel, and as Murphy's website reveals, he is himself the author of multiple short story collections, the most recent being Café Notes (Hachette), as well as two novels, Cold And Electric and the neo-western Poetic Justice (Hachette.) A new novel, Tramps, is expected in 2009.

Like a Great Gatsby/Elliott Murphy

This week Classics Rock! is observing Banned Books Week 2009 (September 26-October 3) by featuring songs based on frequently challenged books.

Elliott Murphy's 1973 debut album Aquashow features the song "Like a Great Gatsby," a reference to F. Scott Fitzgerald's Jazz Age novel The Great Gatsby, published in 1925. The song opens with the lines: Waiting for some dream lover like a great Gatsby/And then I look in the mirror and it's only me--a reference to the novel's rich and mysterious title character. Gatsby lives in the wealthy-with-new-money Long Island community of West Egg and pines for Daisy Buchanan, who lives across the bay in the wealthy-with-old-money community of East Egg. Gatsby fell for Daisy before he became wealthy, and social constraints kept them apart. Everything he has done--acquiring a fortune, throwing extravagant parties--has been designed to attract her attention. But Daisy is married now and lost to Gatsby, just as the narrator of the song seems to be addressing a woman beyond his reach (Use to follow you home/Hold on to you at dancing school and call you on the phone forever/But now your world begins with never). The line Do you ride on ancient ships under Dr. Eckleburg's eyes to heaven alludes to one of the key images in the novel, a fading billboard on the road into New York City featuring a huge pair of blue eyes behind enormous yellow spectacles. ("Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens," speculates the narrator, Nick Carraway.) On his web site Murphy talks about the album's cover art: "I suggested that we shoot in the Palm Court of the Plaza Hotel because that’s where part of The Great Gatsby took place. . . . The white suit I had bought not far from Gatsby land on the north shore of Long Island. It was made in France and I still have it hanging in my mother’s closet. Maybe I should give it to the Hard Rock Hotel."